720p (1280720 px; also called HD ready, standard HD or just HD) is a progressive HDTV signal format with 720 horizontal lines/1280 columns and an aspect ratio (AR) of 16:9, normally known as widescreen HDTV (1.78:1). All major HDTV broadcasting standards (such as SMPTE 292M) include a 720p format, which has a resolution of 1280720; however, there are other formats, including HDV Playback and AVCHD for camcorders, that use 720p images with the standard HDTV resolution. The frame rate is standards-dependent, and for conventional broadcasting appears in 50 progressive frames per second in former PAL/SECAM countries (Europe, Australia, others), and 59.94 frames per second in former NTSC countries (North America, Japan, Brazil, others).
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The number 720 stands for the 720 horizontal scan lines of image display resolution (also known as 720 pixels of vertical resolution).[1] The p stands for progressive scan, i.e. non-interlaced. When broadcast at 60[note 1] frames per second, 720p features the highest temporal resolution possible under the ATSC and DVB standards. The term assumes a widescreen aspect ratio of 16:9, thus implying a resolution of 1280720 px (0.9 megapixels).
720i (720 lines interlaced) is an erroneous term found in numerous sources and publications. Typically, it is a typographical error in which the author is referring to the 720p HDTV format. However, in some cases it is incorrectly presented as an actual alternative format to 720p.[3] No proposed or existing broadcast standard permits 720 interlaced lines in a video frame at any frame rate.[4]
A 720p60 (720p at 59.94 Hz) video has advantage over 480i and 1080i60 (29.97/30 frame/s, 59.94/60 Hz) in that it comparably reduces the number of 3:2 artifacts introduced during transfer from 24 frame/s film. However, 576i and 1080i50 (25 frame/s, 50 Hz), which are common in Europe, generally do not suffer from pull down artifacts as film frames are simply played at 25 frames and the audio pitch corrected by 25/24. As a result, 720p60 is used for U.S. broadcasts while European HD broadcasts often use 1080i50 24* frame, with a horizontal resolution of 1920 or 1440 depending on bandwidth constraints. However, some European broadcasters do use the 720p50 format, such as German broadcasters ARD and ZDF, and the Norwegian Broadcasting Corporation (NRK). Arte, a dual-language French-German channel produced in collaboration by ARD, ZDF and France Télévisions, broadcasts in German at 720p50 but in French at 1080i50. The Flemish Broadcasting Company (VRT) in Belgium was using 720p50, but switched to 1080i50 a few years ago.[when?]
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In the United States, there are two standard resolutions for cable TV broadcasts: 720p and 1080i. Much like 1080p, the number refers to the vertical resolution of the screen, 720 and 1080 pixels. The letter refers to either progressive scan or interlaced scan. Every TV sold today uses progressive scan, but they're also compatible with a 1080i signal.
In the end, 1080i and 720p end up using about the same amount of bandwidth, even if 1080i covers over twice as many pixels. This means that still images look sharper on 1080i, but it isn't perfect. As you can see in the pictures above with the Samsung Q9F, 720p looks much clearer with motion. This is why sports channels use 720p since fast-moving content may not look smooth with 1080i signals.
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Bitrate is the most important factor in determining a video file size. Technically-speaking, you can have a 4K video with a lower bitrate than a 720p video. However, in this instance, the 4k video quality would appear poor but take less space on the disk when compared to a 720p video. And if your video contains audio? That track has its own bitrate as well.
A newer video codec H.265 aka High-Efficiency Video Coding or HEVC is now available as the successor of the H.264 codec. H.256 provides better compression and faster decompression. This codec is being promoted for use by video pioneers such as Netflix and Youtube to improve the streaming video quality and experience, especially on slower connections.
When people first used the term HD, the technology was pegged at 720 lines (thus 720i or 720p). HD displays a picture more clearly than SD, and marketers were quick to label their products HD. But true HD really starts at 1080 lines (1080i or 1080p); 720 might more honestly be called "HD Lite."
The p stands for progressive scanning. Here, the set paints the entire picture in sequence, starting at the top and going to the bottom without skipping anything. In the newest sets, this happens twice as fast, as in 1/120 second. The picture looks smoother, and action scenes look better than with interlaced scanning.
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